Thursday, April 30, 2020

Calls for Papers, Funding Opportunities, and Resources, May 1, 2020


CONFERENCES
Teaching and Learning Virtual Conference
02-04 December 2020
This virtual conference seeks to engage education professionals in debate and best practice sharing with educators in the fields of art, design and social science disciplines. The backdrop to the event is the varied interpretations of teaching as it relates to research. This is often contested, with definitions of ‘academic research’ often excluding analysis, experiment, knowledge transfer and critical debate stimulated in the classroom, studio or lab. This conference welcomes presentations from teachers and researchers on the work they do in the classroom, the studio, lab, in the field, or the archive.
30 June 2020: Abstracts due


The Psychology of Global Crises: State Surveillance, Solidarity and Everyday Life
May 20–30, 2020, Virtual Conference
 Climate change is typically identified as a central factor in the emergence of future global crises. Beyond economically driven crises, we experience crises on the social and cultural levels: the Occupy movement, #MeToo, Black Lives Matter, Cambridge Analytica, the global surveillance disclosures, etc. On a smaller scale, we witness crises of various academic disciplines, famous among them perhaps the replication crisis in psychology. Some go further and argue that the social sciences are in a state of perpetual crisis at least since the beginnings of the 20th century. Last not least, psychologists identify and treat crises on an individual level: loss of workplace, loneliness, depression. Every crisis phenomenon maps its territory and calls for its experts and expert discourses, measures and publicly communicated courses of action.
The deadline for submission is May 10, 2020.
For questions, please contact pgc@aup.edu


Pandemic, Crisis, and Modern Studies Twitter Conference
Friday 12 June 2020
Over the past few months, the spread of Covid-19 has profoundly impacted the lives of people around the globe. Whether politically, through the ever-shifting government policies, culturally, by virtual access to cultural artefacts, or socially, through individual isolation, the rapid spread of the pandemic has changed how one lives in the world. This conference attempts to initiate a robust and meaningful discussion on how the pandemic or crisis shapes our past, present, and future. We invite discussions about the pandemic as a global crisis from passionate and creative intellectuals in different disciplines of modern studies (from 1830 to present).
Please send your abstract (200 words), a short bio (50 words), and your twitter account (@XXXX) to cmods-pgforum@york.ac.uk by 15 May, 2020





Call for Sociological Fiction
Thinking and writing sociologically, as The Sociological Review’s manifesto outlines, has always been an art as much as a science. It ‘involves intricate and complex sets of sensitivities and sensibilities that require fostering and developing, orientated towards emerging issues as well as the perennial debates.’  We are seeking high quality fiction that is considered, reflective and attuned to these sensitivities, that is sociological in style, scope and sensibility – work that imaginatively extends sociology’s study of society into fiction. We are seeking submissions of sociological short stories that critically and creatively explore the social as well as the politics and consequences of sociology itself.
Please send your fiction to Ashleigh.watson@unsw.edu.au


Navigating Chaos: Living the Apocalyptic Dystopia
Events of the last century have already punctured our faith in teleological history of progress that was impressed upon us by the thought of Enlightenment, countering its Utopian models with experimental Dystopic premises. In popular imaginary, Dystopic narratives focus their critiques of society on spatially or temporally distant settings to provide fresh refigurations of a situation that already exists in reality. The overlapping scope of Dystopian and Science Fiction—differing only in terms of ostensibly larger social and political critique—shapes images of future in a variety of narratives where encroachment of the technological into the human runs as a recurring motif. This Issue of Language, Literature, and Interdisciplinary Studies intends to understand and study the dystopian and apocalyptic frameworks that dominate the present era.
Submission deadline: 30th June, 2020
Please email your submissions and queries to – llids.journal@gmail.com.


Human/Nature
Southern Cultures, the award-winning, peer-reviewed quarterly from UNC’s Center for the Study of the American South, encourages submissions from scholars, writers, and artists for a special issue, Human/Nature, to be published Spring 2021. We are looking for work that considers how people live in and with the wider world around them. By “the environment,” we do not narrow the focus exclusively to non-human nature, but rather invite contributors to consider broadly the relationships between people and place.
We will accept submissions for this issue through June 15, 2020, at https://southerncultures.submittable.com/Submit.


Fashion and Motherhood
Becoming a mother,* whether through biological, adoptive, or other means, is not a rare experience. Wearing clothes, mother or not, is universal. But the nature and reality of dressing as a mother enjoys no particular consensus among those who do it; except, that is, that it’s different than it was before kids, and possibly different than it was for moms in previous generations. What factors shape mothers' experiences of dressing? A special series on the Fashion Studies Journal’s site, as well as a new edited volume of critical essays, seeks to interrogate the ever-changing social expectations of dressing while mothering and how lived bodily experiences, the material realities of clothing, and media-fuelled idealized images interact.
Please direct any questions in advance of the submission deadline, as well as submissions by June 30th, to laura@fashionstudiesjournal.org.


Religion and Postcolonial Literature, Art, and Music
This special issue seeks to update the study of religion from a postcolonial theoretical approach to include not only Christianity but also other major world religions and to explore the uses to which religion has been put--both in the further imposition of varieties of colonization, and also in resistance to powerful economic and military forces in various cultures and colonizing (and decolonizing) projects.  On the one hand, there is stultifying and mechanistic formalism, institutional self-preservation, pacification of the masses, and patriarchal intransigence; on the other hand, theology from below, renegade priests and nuns, local artistic and musical expression that speaks truth to power--heretical, blasphemous, and ecstatic disruption.  Sometimes a comfort, sometimes a spur to rebellion.  Essays on literature's responses to these countervailing winds will be included, as will those that treat either popular and high art or music.
Contact Email: jhawley@scu.edu


Media, Materiality and Emergency
In what ways do questions of materiality matter in a time of crisis? What does it mean to explore the matter of things at a time when we are threatened with the annihilation of that matter, its disappearance, or its disintegration? The second issue of MAST journal seeks to answer and further explore these questions through essays from arts practitioners and theorists. In this issue, we invite essays that address the topic of materiality in relation to our contemporary political, environmental, social or economic state of emergency. We want authors to build on the work already done in the field to see how the materiality of media is implicated in or impacted by the emergence (as etymologically related to emergency) of these conditions.
The deadline for submissions is 30th June 2020
Please send your submissions (and questions) to editors@mast-nemla.org


N Real Time: Now Collecting Experiences: COVID-19 INDEX
This platform has been created for people of color to share their experiences during the COVID-19 - Coronavirus Pandemic. Selected data, stories, images, audio and videos will be published via an online African American digital art library: ART | library deco.
These works will be published in our digital-arts journal: reduxx, and all submissions will be archived in our online repository in 2021. Feel free to share an experience directly or upload various types of media. Submission Deadline: December 31, 2020. #hashtag: #blackcovid19index


Crossing Sacred Borders: Writing Journeys in Literature and Culture
Writers, poets, philosophers, and thinkers often dwelled on the theme of a journey and spiritual quest as one of the central themes in their works in many religious and literary traditions; ancient masterpieces offer fascinating stories of pilgrimages, wanderings, and inner search.  Travel and journey do not necessarily presuppose the physical movement, thus, the celebrated religious masterpiece of Teresa of Ávila The Interior Castle, or the Mansions displays inner search, crossing and transcending (sacred) borders, and spiritual growth. Travel and journey, pilgrimage and inner quest are those topics that will be discussed in this interdisciplinary edited volume. By May 8, please submit a 250-300 word abstract and your CV to Dr. Elena Shabliy eshabliy@tulane.edu and/or Dr. Dmitry Kurochkin dkurochk@fas.harvard.edu.


Literary and Artistic Connections between Latin America and the US
In spite of the often-unfavorable political relationship between Latin America and the US, artists and writers have always managed to transcend conflicts, establishing friendships and connections, as revealed in their works, cultural exchanges, and in associations such as international book fairs, multilingual poetry festivals, and the PEN Club. The intertextual dialogues of the Chilean poet Nicanor Parra and the poets of the Beat Generation, for instance, not only reflect what Harold Bloom called ‘the anxiety of influence’ but also a symbiotic sharing of historical perspectives, literary movements, techniques, and approaches. This volume aims to examine the intertextual and interpersonal relationships between US and Latin American artists and poets and the commonalities reflected in their works.
Deadline for proposals: December 30th 2020
For further questions or to submit your proposal, please email Lena Retamoso-Urbano at lretamoso@gmail.com


Bodies at the Bottom of the Well: Critical and Creative Approaches to Medical Racism
In light of increased average life expectancy in the U.S. due to advances in medical care, medical racism still produces disproportionate adverse health outcomes. In this context there is an increasing necessity to understand the history of medical racism, become aware of contemporary experiences of medical racism, and develop strategies and practices to promote change in the many fields related to health care. This book will offer cross-disciplinary, academic, activist, and creative perspectives about the systemic and institutional nature of medical racism. While our proposed title is an homage to the work of Critical Race Theorists, we welcome proposals that incorporate other critical theories and methodologies. We also encourage writing that goes beyond academic essays such as personal narratives and other creative works.   
Proposal Submission Deadline: May 15, 2020
Send submissions to: LewisandKelley@gmail.com


Magic. A Companion
This edited volume aims to explore a variety of concepts of magic, providing a historical overview as well as investigating representations and translations across various media. Topics covered include magic in anthropology, as well as rituals, shamanism, spiritualism, occultism, performance magic, Magick and Pagan Witchcraft. We encounter these magics, if you will, in literature, film and TV, art, (video) games, graphic novels, music, exhibitions and advertising. In what ways does magic influence our perception of reality and subjectivity? How and why can it be and was it construed as opposing reason or have they never been intertwined with one another? How can magic and illusion be understood as producing new ways of viewing the world instead of as something blinding us to reality? How does magic change in modernity or with increasing digitization? In what ways does magic and do its representations broach issues of different bodies, abilities, ethnicities and sexualities?
To propose an essay, please send an abstract of no more than 300 words to: magic.a.companion@gmail.com no later than the 10th of May 2020.


Cartographic Infrastructures: Mapping and the Graphic Arts in the Americas
Volume 13 will center on the theme, “Cartographic Infrastructures: Mapping and the Graphic Arts in the Americas.” and will feature articles and short exhibition reviews presenting interdisciplinary research that considers the ways in which the spectrum of media—i.e. graphic arts, graphic design, printmaking, needlepoint, infographics, pictographs, and/or works on paper—thematically, conceptually, and formally intersect across historical eras and political, ideological, and geological boundaries. Our aim in doing so is to provide broader esthetic and critical contexts to understand applications of maps and infographics in social and political discourse. You can find the full call for papers and formatting instructions at http://art.unm.edu/hemisphere/. Please consider submitting an article or passing the CFP along to your students. Please forward any questions and materials to Hmsphr[at]unm.edu. Review of articles will begin on August 3, 2020. 
Send completed materials to hmshpr@unm.edu.


Mobilizing Narratives: Narrating (Im)Mobility Injustice
Edward Said's summation that "we live in a period of migration, of forced travel and forced residence, that has literally engulfed the globe” (Culture and Resistance, 2003) is an apt description of the riveting and pervasive nature of (im)mobility in contemporary times. Wars, climate change, economic recessions, and social and cultural inequalities all contribute to coerce individuals as well as communities into forced movement or imposed immobility. This collection of articles seeks to investigate the injustices related to free circulation as represented in literary texts.
For any query, please contact: Hager Ben Driss, bendrisshager@gmail.com
No deadline given


Call for Book Reviewers: Sound Studies

Sound Studies is currently looking for qualified book reviewers for many recent and upcoming editions on the academic study of sound and the soundscape. If you are interested in reviewing for Sound Studies, please e-mail Andrew Kettler at smellhistory@gmail.com. Please attach a CV to the e-mail and include within your e-mail a short statement of your desired topics for books to review.




JOB/INTERNSHIP
Visiting Assistant Professor in Gender, Women’s and Sexuality Studies
The Gender, Women’s and Sexuality Studies program (GWS) in the Department of Interdisciplinary Studies (IDS) at Appalachian State University invites applicants for a one year, exclusively online Visiting Assistant Professor in GWS with a specialization in LGBTQ Studies to begin July 1, 2020. There is no expectation that the successful candidate would have to relocate to Boone.
The successful candidate will teach online courses for the GWS program, and serve the GWS program through online service activities. GWS service may include, but is not limited to, GWS student recruitment and engagement. There may also be opportunities for teaching in the University’s First Year Seminar.
Application evaluation begins immediately


Postdoctoral Fellow in Environmental Justice
The Humanities Research Center (HRC) at Rice University will award one postdoctoral fellowship for a one-year appointment in Environmental Justice, with the possibility of a one-year renewal. We invite applicants from the humanities or interpretive social sciences whose research and teaching consider the wide range of histories, theories, and practices of environmental justice, including the workings of environmental racism and the differing and inequitable relationships to a range of ecological concerns (disaster, toxicity, climate, sustainability, pollution, biodiversity loss, resource availability, indigeneity, economic opportunity, public health, land use, and many more).
Contact: Adriana Chiaramonti (acc14@rice.edu)
Deadline:  Friday, May 15, 2020


Interview Curator and Summer Research Assistant Positions: Project on the EPA in the Age of Trump
The Policy Monitoring/Interviewing Working Group of the Environmental Data and Governance Initiative is seeking to fill a part-time interview curator position as well as part-time research assistant positions to help out with on-going studies of the “The EPA in the Age of Trump.” (More information on our work is available at https://envirodatagov.org/interviewing/) We are looking for those with relevant doctoral degrees, graduate students and upper-level undergraduates with strong backgrounds in the environmental social sciences, humanities, sciences, or policy. 
Interview Curator position to begin, ideally, in mid-May and run through September of 2021.  Pay is $41/hour for .25 of full-time hours, or ten hours/week. 
Those wishing to apply should please send their cv and a 300-word statement of interest to Christopher Sellers chrissellersedgi@gmail.com , by May 14.


J. Y. Sanders Scholar in Residence
The Center for Southeast Louisiana Studies at Southeastern Louisiana University in cooperation with the Young Sanders Center announces the creation of the J. Y. Sanders Research Scholar award.  The award is designed to encourage and facilitate research centered on Louisiana and the other states of the old Confederacy in conformance with the bequeath of Ms. Mary Elizabeth Sanders. Applications must be received by June 1, 2020 to be considered for the initial award.  For additional information contact shyde@selu.edu.




Decolonial Dialogues
I am pleased to announce the launch of a new online platform and shared space for engaging in interdisciplinary conversations, collaborative research initiatives and campaigns addressing issues of decoloniality. The new site is called 'Decolonial Dialogues' and it was launched on April 8th, 2020, via WordPress.
Contact Email: C.A.Dixon@sheffield.ac.uk


Sacred & Profane: Podcast and Online Teaching Resource
Looking to enhance your online teaching? May we suggest Sacred & Profane, a podcast that takes listeners around the globe to visit past and present. Our stories reveal how, even in this time of isolation, we are more connected than we know. Sacred & Profane is co-hosted by Martien Halvorson-Taylor and Kurtis Schaeffer, Religious Studies Professors at the University of Virginia. Each episode includes a transcript and online learning resources.
Contact Email: ad8da@virginia.edu


MOOC on Memory Sites and Human Rights
The MOOC on Memory Sites and Human Rights focuses on the role of memory sites in their crucial interplay with historical trauma, the reconciliation process, the chosen methods for dealing with the past, as well as with nation building dynamics and the shaping of societal identity. The MOOC is structured in three Modules. Module 1 focuses on the conceptual framework behind memory sites. Starting from a reflection on why and what is important to remember, it then moves to discuss how memories are shaped and who is involved in ‘building memory’. Module 2 is dedicated to the objectives of memory sites, ranging from knowledge-sharing to providing evidence of abuses; from identity building/reconstruction to ethical, legal and political challenges in the representation of horror. Module 3 will focus on aspects related to the ‘design’ of memory sites stressing the artistic contextualisation vis-à-vis the visitors’ reactions and empathetic sentiments for past atrocities and abuses.
The MOOC is free and open to participants from all over the world who are actively interested and motivated to learn more about human rights; history; memory; past, present and future challenges; transitional justice; truth and reconciliation.



WORKSHOPS
Written on the Body: Narrative (Re)constructions of Violence(s)
Due to the pandemic of Covid-19, the Nordic Summer University Summer Session 2020 will not be able to take place as a physical gathering, but will instead take place in distant and dispersed formats of encounter, sharing and connection. We therefore invite scholars, students, practitioners and activists from all disciplines to submit proposals for traces that will address how bodies becomes subjects and objects of violence and how, by simply ‘being’, they narrate their traumatic experience. But how do bodies narrate violence(s)? Our understanding of a body is purposefully broad and includes the human and nonhuman, the organic and inorganic, and their diverse material or corporeal forms.
We invite contributions exploring various practices of storying violence on bodies, and attending to ‘the wounds of the world’. Suggested themes relate to narratives addressing human and nonhuman bodies, within non-digital and digital realities, fictional or factual, and their multiple intersections.
Please send proposals for traces (200-500 words and an image, if appropriate) with a title and a short biographical statement (100 words) to narrativeandviolence@gmail.com by 31st May 2020.
Contact Email: marta.cenedese@utu.fi


Oral History Training Institute (online)
 Monday, May 18, 2020–Thursday, May 21, 2020, 9:00 a.m.–12:00 p.m.
 This online workshop will introduce attendees to all aspects of the interview process, including general oral history theory and methodology, in-person and remote interviewing techniques, legal and ethical issues, transcription practices, archiving, recording equipment and its use, data management, and other relevant topics. Attendees are encouraged to bring their research ideas for discussion/feedback. Individuals interested in doing so can participate in an optional virtual oral history interview with other attendees; a general debriefing about these experiences will take place on the Friday following the end of training. While the scope of the training workshop will focus through a STEM lens, individuals of all fields are welcome.
Advance registration is required. For more information please contact David J. Caruso at 215.873.8236 or dcaruso@sciencehistory.org.