Tuesday, April 23, 2024

Calls for Papers, Funding Opportunities, and Resources, April 23, 2024

 

CONFERENCES  AND WORKSHOPS

Modern Language Association (PAMLA) Convention in Palm Springs California (Nov. 7-10, 2024)

proposal deadline: Tuesday, April 30, 2024.

Teaching Against the Anthropocene

https://pamla.ballastacademic.com/Home/S/19097

"Teaching Against the Anthropocene" will explore how we translate environmental media into our teaching practices and how we can encourage our students to reflect critically about environmental concepts like the Anthropocene.  This panel welcomes presentations on texts, documents, philosophies, activities, assignments, syllabi, and other media that panelists have effectively used in the classroom to teach about and against the Anthropocene. The goal of this session is not only to share successful pedagogical approaches but also to spark a dialogue on how the humanities can act in an age of planetary crisis.

Robert Decker (University of Southern California), deckerr@usc.edu; Chloé Vettier (Scripps College) cvettier@scrippscollege.edu

Science Fiction

https://pamla.ballastacademic.com/Home/S/19192

We invite proposals that engage with some aspect of Science Fiction in media and/or literature, including closely related fields such as Alternative History and Speculative Fiction. Special consideration will be given to proposals that center around the conference theme “Translation in Action,” but proposals not connecting to the conference theme are likewise welcome.

 

Intellectual History Conference Thoughts of the Future

https://docs.google.com/forms/d/e/1FAIpQLSdK7oNZTQLJyjAEJIEOUe6uhUmuuOd9nKpF7NFSQ3y0xHNaew/viewform

November 1, 2024

This conference serves as a platform to dissect, among other topics, the intricacies of futurology, dystopias, utopias, apocalypse, and paradise. Historians and scholars working beyond the historical field will reflect on the diverse social imaginaries and narratives that shape our understanding of the future.

The deadline to submit an abstract is May 31, 2024.

 

Queens of the Future: A Century of Women in Speculative Fiction Media

https://sfamla.org/

October 17–19 2024 in Los Angeles

2024 marks the 40th anniversary of THE TERMINATOR (1984). Legendary producer Gale Anne Hurd co-wrote THE TERMINATOR, a film that launched a multi-media franchise. Through her long and distinguished career as a writer and producer, Hurd brought many iconic Women heroes, Sarah Connor, Ellen Ripley (ALIENS, 1986), Aeon Flux (AEON FLUX, 2005), and Michonne (THE WALKING DEAD, 2010–2022) to the screen. This year’s Speculative Fiction Across Media (SFAM) conference celebrates the groundbreaking achievements of Gale Anne Hurd and all the women creators of speculative fiction in the long history of sf film, television, literature, comics, radio, video games, fandom, and any other media.

Please e-mail us your 300–500-word abstract, accompanied by a short CV, to associatedirector@sfamla.org by May 1.

 

Art Speaks (Back)

https://www.historiansofislamicart.org/events-and-symposia/symposia/Art-Speaks-Back-2025-04-03.html

Boston, MA, April 3-5, 2025

Today, as they have in the past, new technologies and new media are bringing about radical changes in art and society. Reflecting on both the current political moment and new technologies of knowledge and artistic production such as AI, we are calling for paper, panel, and round table discussion proposals with the theme “Art Speaks (Back).” The capacity or incapacity of art (and artists) to “speak” may be a useful heuristic/analytical tool to examine both contemporary and historical artistic production. By examining the social and political roles art and artists have played in the past, we may be able to assay the dangers and opportunities presented by new media and technologies. We envision the theme “Art Speaks (Back)” to be explored through attention to technologies of production, to patronage and collecting, to the role of art and artists in society, to art created in times of crisis or change.

Please email all submissions to: HIAA.2025.Boston@gmail.com by April 15, 2024

                        

Blockbuster Futures Conference

https://cinema.indiana.edu/academics/Blockbuster%20Futures%202024.html

October 28–30, 2024 | Indiana University

Blockbuster films have been instrumental to the evolution of the art and economics of the film industry for decades. What Charles Acland (2020) calls the “blockbuster strategy”— “the rationale that embraces the big-budget cross-media production at the expense of other industrial and artistic approaches” (8)—underpins contemporary industrial, technological, and aesthetic models of global blockbuster filmmaking. Yet, blockbusters are on the precipice of change, and in the U.S., they are showing their first signs of sustained destabilization.

Conference submissions are due by MAY 1, 2024 11:59pm EDT.

Questions? Email: bfconf24@iu.edu

 

Creativity, Care, and Communities: Making Visible Connections

https://www.dress-body-association.org/conferences

The Dress and Body Association invites submissions for the organization’s fourth annual conference, which will be held on November 2-3, 2024. Consistent with our long-term goals for inclusivity and sustainability, all activities will be 100% online, including keynote speaker(s), research presentations, and opportunities for virtual networking. 

The body is an intensely personal site for creativity and self-expression, yet even the most unique styles of dress reflect larger communities—people, places, and legacies that we care about and draw inspiration from. Whether we understand them as ‘imagined communities’ (Anderson 1989), ‘communities of practice’ (Wegner 1998), or something else, we as artists, designers, activists, educators, and scholars give to and take from communities. We often make our connections visible through material culture such as (but not limited to) clothing, jewelry, headwear, footwear, and body modifications. Proposals on any topic related to dress and the body will be considered, but those related to this year’s theme are most likely to be accepted. Individual and collaborative presentations are welcome, as are suggestions for roundtable discussions.

Please submit your abstract by July 1, 2024

Contact Email  dress.body.assoc@gmail.com

 

Popular Culture Association in the South and the American Culture Association

https://pcasacas.org/pcasdir/

Greenville, SC, October 17th – 19th

The Popular Culture Association in the South and the American Culture Association in the South meet every year to present and discuss ideas about popular culture, American and world-wide. We also encourage individual submissions and panels of creative writing. We invite panels organized around one issue or theme.

Submission Deadline:  June 15th

Contact Email  pcasacasorg@gmail.com

 

History of Women Religious

https://cushwa.nd.edu/news/call-for-papers-conference-on-the-history-of-women-religious/

University of Notre Dame · June 22–25, 2025

The committee for the Conference on the History of Women Religious (CHWR) invites proposals for papers and panels that address the conference theme, “Lives and Archives,” from scholars in the fields of history, theology, sociology, literature, anthropology, gender studies, visual and creative arts, material culture, religious studies, and communications.

Proposals are due August 15, 2024

 

Inclusive Pedagogy

https://amps-research.com/conference/schools-of-thought/

Oftentimes, “inclusive pedagogy” is used to refer to ways in which educators consider issues of diversity and accessibility in the classroom. True enough, educators do need to consider, support, and engage wider swathes of student backgrounds and needs—but what does it truly mean to “include” students in the learning process? This track focuses on alternative teaching methods that shift and challenge the power dynamics of the classroom to provide students more agency in their education and re-examine the role of “educator.” Examples include, but are not limited to: various methods of “ungrading” or alternative assessment that provide students different pathways for success; collaborative syllabus creation, in which students work with faculty to determine the structure, rules, and even content of the course; and “flipped classrooms,” where the time in class is used to provide students opportunities to examine, discuss, and assimilate knowledge rather than passively receive information.

Abstracts due  01 July 2024

conference@amps-research.com

 

The Counter-University. Histories, Movements, and Ambitions

https://networks.h-net.org/group/announcements/20031617/counter-university-histories-movements-and-ambitions

Conference Date: 12–14 February 2025; Conference Venue: University of Copenhagen

The declaration of “counter-universities” has been part of activists’ repertoires for many decades. The practice became known primarily through the student movements of the 1960s and 1970s. Since the mid-1960s, numerous “free” universities have emerged in the USA in the context of protests for “free speech” and against the Vietnam War. This conference invites scholars interested in the history and present of the counter-university to share their ideas on this significant yet under-researched transnational phenomenon. Despite the wide spread and centrality of the counter-university, research so far has hesitated to approach the phenomenon and its diverse manifestations as spatially as well as temporally connected. Therefore, this conference is dedicated to open a discussion about counter-universities’ pasts and presents and to assess their role in world-wide struggles for social and educational reforms.

Deadline for abstracts: 16 May 2024

Contact Email  susanneschregel@hum.ku.dk

 

 

PUBLICATIONS

Designing Our Future: Humanities-Centered Teaching, Learning, and Thinking in the 21st Century

https://networks.h-net.org/group/announcements/20030019/designing-our-future-humanities-centered-teaching-learning-and

Call for Proposals for Special Issue, Interdisciplinary Humanities

The disciplined university has traditionally organized the humanities within majors, minors, certificates, and general education courses. This structure creates silos where subjects are taught within a particular discipline with an occasional slippage into other disciplines. To push against this rigid structure, some colleges and universities are being creative and innovative with the humanities. Some are trying to infuse the humanities in places where traditionally they have been absent, and some are reconceptualizing and repackaging them. For example, how do the humanities give us a roadmap to determine the ethical boundaries of the non-human, cyborgian networks of knowledge generated by artificial intelligence?

Submit essay proposals to futureofthehumanities@gmail.com by Friday, April 26, 2024

 

Friction

https://ojs.lib.uwo.ca/index.php/tba/announcement/view/219

tba: Journal of Art, Media, and Visual Culture, is pleased to announce that we are accepting submissions for our upcoming issue, FRICTION. The static of friction is palpable, it shocks us daily. Below us, the lithosphere steadily pushes against itself in a process of subduction, and above ground a multiplicity of narratives and truths electrifies the air through various frictions. By acknowledging the power relations that are (de)constructing these sites of frictional dialogue, conceptions of decolonization, the politics of knowledge production, and placemaking seek to render the relational experiences of people visible. For our upcoming issue tba encourages contributors to think through convergence and divergence of bodies, concepts, and ideologies as they explore friction.

We invite you to submit your work by June 1st, 2024.

For inquiries, please write tbawestern@gmail.com

 

Call for Chapters for Book on Indigenous Women by Indigenous Women

https://networks.h-net.org/group/announcements/20029767/call-chapters-book-indigenous-women-indigenous-women

We seek chapter proposals on the topic of Indigenous Women’s Research. The book positions our voices as central to engagements with Indigenous community life and to dismantling the research paradigms and practices that have not served us as Indigenous women. We see questions of “voice” as vital issues of political articulation, creatively and wisely expressed in personal, collective and symbolic terms. We write for and with the Indigenous women we work alongside in the diverse fields we occupy. We believe in making our positions and perspectives – across gender, race, ethnicity, class, cultural, social, religious and relational contexts – more nuanced, accessible and expressive to the wider community of Indigenous women in the Global South. We dream of a defining moment when we can speak about who we are in the world for ourselves and with the Indigenous women around the world who inspire, challenge and move us.

1 June 2024: Send your 300-word abstract with a brief profile

Email: IndigenousRematriation@gmail.com

 

Idleness

https://thresholdsjournal.com/Submissions

Thresholds, the annual peer-reviewed journal produced by the MIT Department of Architecture and published by the MIT Press, is now accepting submissions for Thresholds 53: Idle. In a world that prioritizes activity and circulation, idleness has become untenable, even criminal. The significance of “idleness” has over time oscillated between a neutral state of “not doing work” to the negatively charged notion of “laziness.” Evoking waste, Victorian moral values and Lockean concepts of property come to mind. Yet if positioned as leisure, the privilege of being idle can take on many architectural forms from the pavilion to the shopping mall. Interpreted as rest, it can situate resistance against the subordination of the laboring–and often racialized–body.

Submission deadline  May 26, 2024

email: Joshua Tan (josh_tan@mit.edu) and Mingjia Chen (mingjia@mit.edu)

 

Cambridge History of Black Women in the United States

https://networks.h-net.org/group/announcements/20030367/cambridge-history-black-women-united-states

Contributors are being solicited for the newly commissioned Cambridge History of Black Women in the United States.  The Cambridge History of Black Women in the United States (CHBW) is a five-volume history that will appeal to students, lay readers, and specialists. These volumes will be a landmark opportunity to reflect seriously on the state of scholarship on Black women in the United States, as well as reshape our thinking about their impact on American society. We see this as a scholarly project that aims to lead the field, and to educate and engage a broad audience of non-professionals.

Interested persons should submit an abstract and two page CV to the General Editor, Dr. Karen Cook Bell at kcookbell@bowiestate.edu with the subject line “Cambridge History of Black Women.”

 

Climate Fiction and the Limits of Representation

https://onlinelibrary.wiley.com/page/journal/27702030/homepage/call-for-papers-climate-fiction

This call invites submissions that engage with these and other critiques, examining how contemporary climate fiction navigates the complex terrain of representing climate change while also exploring alternative narratives, perspectives, and modes of storytelling that offer more inclusive and nuanced portrayals of ecological crises and human responses. We are specifically interested in perspectives presented through a variety of media, including fiction, creative nonfiction, film, visual art, digital platforms, street art, and artivism (artistic activism). Contributions should be drawn from interdisciplinary perspectives, including literary studies, cultural studies, environmental humanities, indigenous knowledge systems, anthropology, ethnography, economics and beyond, to deepen our understanding of the genre's potential to inspire action and foster environmental awareness and advocacy.

Please submit an abstract of 400-500 words and a short bio (100 words) by 31st May 2024.

email caleb.ferrari@uwe.ac.uk and  lenka.filipova@fu-berlin.de

 

Skin

https://tidsskrift.dk/passepartout/announcement/view/1167

Skin – human or other-than-human – is a frontier between outside and inside, surface and depth, visibility and invisibility. As matter and metaphor, skin offers an opportunity to investigate negotiations between the visual and the sensory from various historical and cross-cultural perspectives. In this theme issue of Passepartout, we will explore the problem of skin and its intersections with art and visual culture. How are the material properties and metaphorical potentialities of skin incorporated in art and visual culture? How does skin connect such disciplines as language, literature, philosophy, art, medicine, and science? We seek articles from all humanities fields that probe skin as a material, conceptual, metaphorical, bodily, and artistic interface. For example, skin as a multisensory organ, architectural skin, the materiality of skin or the skin of matter, skin and identity, etc.

Deadline for abstracts: June 1, 2024.

Contact Email  edward.payne@cc.au.dk

 

Still Cruising Utopia: A Utopian Studies Special Issue on Queer Utopia and the Legacy of José Esteban Muñoz

https://www.psupress.org/journals/jnls_utopian_studies.html

To acknowledge and celebrate the 15th Anniversary of the publication of Cruising Utopia: The Then and There of Queer Futurity (2009) by José Esteban Muñoz (1967-2013), Utopian Studies seeks contributions for a special issue on Queer.  Scholarly writing on queer utopias and/or queer utopianism has exploded since the publication of Muñoz’s text in 2009. For this issue of Utopian Studies we are particularly interested in contributions that assess the role that Cruising Utopia and other work by Muñoz have played in the theorization of queer possibilities. How has his work–and those who have followed him–shaped the field that is, or could be, called queer utopianism? How has this work been reshaping the very field we call “utopian studies”? We encourage contributions from queer, BIPOC, Latinx, and social and gender minorities, as well as contributions from the Global South.

Contact Email  jaw55@psu.edu

 

Boarding School Survivance: The Land, Indigenous Students, and Settler Colonialism in North America and Sápmi

https://networks.h-net.org/group/announcements/20031220/cfa-extended-deadline-boarding-school-survivance-land-indigenous

With the recent uncovering of burial sites, Indigenous boarding schools have increasingly made headlines around the world. There is also a growing awareness of ways in which the schools’ impact has affected Indigenous communities and their lived environments. This edited volume examines the dynamic connections of boarding schools, Indigenous peoples, and the environment by stressing the perspectives of Indigenous survivance. Here survivance connotates complex nodes of active culture work and thinking combining surviving with resisting, the revitalization of Indigenous communities, lifeways, and knowledge. Identifying spaces and practices of survivance among Native American and Sámi communities, the articles look at different manifestations of survivance as forms of entanglement, linking Indigenous peoples to pasts and futures, to the land, and to each other across community, national, and imperial borders.

Send your abstracts (one page max) alongside a short cv to the editors at janne.lahti@lnu.se and lindsay.doran@uef.fi by May 6, 2024.

 

Campus Climates of Hostility

https://profession.mla.org/about-profession/

Brought to you by the Modern Language Association, Profession offers articles, news, and resources to support the work you do—in a classroom, a library, a writing center, or an office for study abroad. he MLA Executive Council is calling for submissions for a special issue of Profession on fighting back against the current climate of hostility on so many of our campuses. Articles could address questions like these: How can we in our teaching and campus work engage deeply with the political and cultural complexities with which our students are wrestling, challenges that are interrelated and overlapping?

Deadline for submissions of 1,000 to 4,000 words: 15 June 2024

 

“Do This in Remembrance of Me”: Religion, Memory, and Art

https://profession.mla.org/opportunity/do-this-in-remembrance-of-me-religion-memory-and-art-a-special-issue-of-religion-and-the-arts

Religion and the Arts seeks innovative explorations of the relationships among memory, the arts of all kinds, and religion understood both traditionally and counterintuitively. Digital memory and creation, photography and videography, secularism reconceived through material culture, and new rituals for remembrance will be considered. Public and private, ordained and vernacular, means of memory are within this scope. We solicit articles and reviews comparative and particular; on Western and non-Western topics; and engaging various subjects such as gender, sexuality, collective/individual, institutional/innovative, and ritual.

Essays should be 5,000–10,000 words in length and must be submitted by 1 June 2024

email: frederick.roden@uconn.edu

 

environ|mental urbanities

https://networks.h-net.org/group/announcements/20031334/environmental-urbanities

We want to focus on ethnographic studies approaching dwellers attempting to render their habitats inhabitable, making emerge a wide variety of ecological relations between the mental and the environmental. This is the research arena we wish to address as environ|mental urbanities, a denomination hopefully guiding us to grasp the sometimes elusive or ungraspable aspects of both mental and environmental practices and experiences in urban arenas. We invite contributions from anthropology, geography, sociology and adjacent disciplines which provide inspiring ethnographic case studies, tinkering and experimenting with methods and collaborative fieldwork and/or aim for situated concept work that allow to problematize ‘the environ|mental’ while simultaneously enriching our conceptualisation of ‘the urban’ beyond mere material or geographic locality and stage for cultural practices.

Please submit abstracts of no more than 200 words, plus your institutional affiliation(s) and a short biography (a few lines) to patrick.bieler@tum.demilena.bister@hu-berlin.de, and tomcriado@uoc.edu by April 29, 2024

 

The Copy

https://www.invisibleculturejournal.com/calls-for-papers

As a practical and conceptual device, the copy has remained important to many disciplines. Imitation, as Paul Duro describes, has a long global history as it appears in art and visual culture. Matters of authenticity, resemblance, and repetition carry multiplicities of meaning across time period and cultural context. The central importance of imitation and/or copying in artistic forms/traditions is only further reflected in contemporary discourse on AI-generated art and theft. For Issue 39, InVisible Culture asks: What is there to say about the copy today? How do we account for the copy in visual culture, specifically in a contemporary moment where technologies such as AI and digital fabrication have taken such a prominent role in society?

Submissions due June 30, 2024 to invisible.culture@ur.rochester.edu.

 

Liberal Democracy and Environment

https://networks.h-net.org/group/announcements/20031602/liberal-democracy-and-environment-call-chapters

In this edited volume, we aim to address critical topics such as sustainable development and liberal democracies and their interrelation. Countries that embrace the principles of liberal democracy also emphasize the sustainable pathway, including France, Germany, Great Britain, Japan, New Zealand, Norway, the USA, and many others. This book presents a regional approach, discussing sustainable development, climate change, and the role of liberal democracies, and how liberal democratic systems or principles relate to or impact sustainability efforts. Liberal democracies provide a favorable environment for addressing sustainability challenges through accountability, public engagement, and long-term planning. However, the actual implementation of sustainable policies and practices depends on the priorities and actions of specific democratic institutions and leadership.

Please send your abstracts and CV to the co-editors: Professor Cynthia Boyer cynthia.boyer@univ-jfc.fr and/or Dr. Elena Shabliy eshabliy@g.harvard.edu by May 15th, 2024.

 

Handbook of Humanities Podcasting

https://networks.h-net.org/group/announcements/20031660/handbook-humanities-podcasting-call-contributors

We’re excited to announce a Call for Contributors to the Handbook of Humanities Podcasting, under contract with Palgrave Macmillan. Contributors will explore how the present-day humanities look different from the perspectives of people who create podcasts and teach podcasting, and what futures for the humanities and its disciplines podcasting can open up. Contributions will consist of a short essay (3000 words) and participation in a podcast recording.

​​We’re committed to assembling a diverse range of contributors, including in terms of race, ethnicity, gender, sexuality, ability, nationality, geographical location, academic discipline, career stage/job title and institutional affiliation (including in particular people who identify with the humanities but don’t work/study at a university). Whatever your connection and experience with podcasting is, we’re interested in your ideas!

If you’re interested complete the form by Sunday May 5th.

Contact Email  humanitiespodnetwork@gmail.com

 

Call for Reviewers - Journal of Popular Culture

https://networks.h-net.org/group/announcements/20031631/call-reviewers-journal-popular-culture

The Journal of Popular Culture is looking for those who are interested in reviewing books. These reviews will be due on June 30, 2024.  If you have a completed Master's degree or higher, one of these books is in your field of study, and you are interested in writing a review for us, please contact me at kiuchiyu@msu.edu. noting your preferred title and your mailing address.

Branden Buehler, Front Office Fantasies: The Rise of Managerial Sports Media, Illinois

Olga Gershenson, New Israeli Horror: Local Cinema, Global Genre, Rutgars

Charles L. Crow, California Gothic: The Dark Side of the Dream, Anthem

Kent Worcester, A Cultural History of the Punisher, Intellect

Reginald Wiebe and Doothy Woodman, The Cancer Plot: Terminal Immortality in Marvel's Moral Universe, Alberta

Margarat Flinn, Drawing in the Feminine: Bande Dessinee and Women, Ohio

Christopher Campbell, Race, Representation, and Satire, Lexington

Jinying Li, Geek-Otaku-Zhai: Anime's Knowledge Cultures, Minnesota

Steen Ledet Christiansen, Storytelling in Kabuki: An Exploration of Spatial Poetics of Comics, Nebraska

Justin Wyatt, Creating the Viewer: Market Research and the Evolving Media Ecosystem, Texas

Derek Long, Playing the Percentages: How Film Distribution Made the Hollywood Studio System, Texas

Sandra Annett, The Flesh of Animation: Bodily Sensations in Film and Digital Media, Minnesota

Cindy Mediavilla and Kelsey Knox, The Women Who Made Early Disneyland: Artists, Entertainers and Guest Relations, Lexington

 

 

FUNDING/FELLOWSHIPS/PRIZES

Francis G. Summersell Center for the Study of the South Short-Term Research Fellowship Program

https://summersell.ua.edu/short-term-research-fellowship-program/

To support the study of southern history and promote the use of the manuscript collections housed at The University of Alabama, the Frances S. Summersell Center for the Study of the South, the Charles G. Summersell Chair of Southern History, and the U.A. Library will offer a total of eight research fellowships in the amount of $750 each for the 2024-2025 academic year. Eligible researchers will have projects that entail work to be conducted in southern history or southern studies at the W.S. Hoole Special Collections Library, the A.S. Williams III Americana Collection, or any other University of Alabama collections.

The deadline for applications is May 1, 2024.

Email: jmgiggie@ua.edu

 

Disability History Association Outstanding Article or Book Chapter Award

https://dishist.org/?page_id=291

As part of the Association’s 2024 Award Series, the DHA is pleased to invite entries for its thirteenth annual Outstanding Article or Book Chapter Award competition. The winning article or book chapter, as well the article or book chapter receiving honorable mention, will be announced in September 2024.

Please send one electronic (.pdf or .doc) copy of the article or book chapter to Dr. Jenifer Barclay (barclay7@buffalo.edu) no later than May 15, 2024.

 

Archives Travel Grants

https://www.bgsu.edu/library/cac/events-and-programs/access-to-the-archives-travel-grants.html

The Center for Archival Collections (CAC) at Bowling Green State University is pleased to announce our newly established Access to the Archives Travel Grant. The grant program offers up to three competitive Research Travel Grants to support researchers who plan to spend at least five full working days using collections held by the CAC. Anyone - including but not limited to faculty, students, public historians, visual and performing artists, and independent researchers - who wishes to pursue a Research Travel Grant may apply, regardless of academic status or affiliation. Applications are due May 31, 2024. 
Contact Email  msweets@bgsu.edu

 

Reynolds-Finley Fellowship at the University of Alabama at Birmingham Libraries

https://library.uab.edu/special-collections/fellowship

The Reynolds-Finley Associates, in conjunction with the Historical Collections (HC) unit of UAB Libraries, University of Alabama at Birmingham (UAB), are pleased to announce the availability of short-term awards of up to $2,500 to individual researchers. Intended to support research using the HC unit as a historical resource, the fellowship requires the on-site use of at least one of the unit’s three components, which are the Alabama Museum of the Health Sciences, Reynolds-Finley Historical Library, and UAB Archives.

There is no deadline to apply, as applications are reviewed on a rolling basis.

email  jbbyrd@uab.edu

 

 

JOBS/INTERNSHIPS

Tenure Track Position - Diversity and Social Justice Studies Program

https://www.upei.ca/hr/competition/11a24

The Diversity and Social Justice Studies Program (DSJS) at the University of Prince Edward Island (UPEI) is seeking a tenure track faculty member at the level of Assistant Professor, with a specialization in technology and social justice, for a new position in the program. Candidates’ scholarship and activities should critically address the ways in which technology(ies) are presented as the solutions to current pressing social issues: e.g., climate change, energy use, viruses and pandemics, reproductive justice, food insecurity—and their implications for understandings of identity categories such as gender, sexuality, race, disability, etc.

More information about the program can be found at https://www.upei.ca/programs/diversity-social-justice-studies or by contacting Ann Braithwaite, Ph.D., at abraithwaite@upei.ca.  In accordance with Canadian immigration requirements, all qualified candidates are encouraged to apply; however, Canadian citizens and permanent residents will be given priority.

Closing date is May 11, 2024

 

Department of Women, Gender & Sexuality Studies Non-tenure Track Faculty

https://g.co/kgs/Ue47KaL

Western Washington University’s (Bellingham, WA) Department of Women, Gender & Sexuality Studies is hiring a Non-tenure Track (M.A.) or Visiting Assistant Professor (Ph.D.) starting Fall 2024. In anticipation of possible openings throughout the academic year and summer sessions, applications are accepted continuously for temporary, part-time, non-tenure-track positions at the instructor level. Although most non-tenure-track faculty receive their course assignments for the upcoming academic year by July 15, positions may become available at any time and are filled on a quarterly basis.

A cover letter and curriculum vitae are required and should address your experience related to the position responsibilities and the required and preferred qualifications.

Refer any questions to the chair, Rae Lynn Schwartz-DuPre (Raelynn.schwartz-dupre@wwu.edu).   

 

EVENTS: WORKSHOPS, TALKS, CONFERENCES

Teaching Israel: A Conversation with Sivan Zakai and Matt Reingold

https://www.brandeis.edu/mandel/events/index.html

May 30, 2024, 12-1:15pm ET via Zoom

How do educators from differing pedagogical orientations learn, undertake, and ultimately improve the work of teaching Israel? In this conversation, Teaching Israel: Studies of Pedagogy from the Field editors Sivan Zakai and Matt Reingold will discuss the complex issues facing those who teach about Israel, along with respondents Lisa Grant (Hebrew Union College-Jewish Institute of Religion) and Alex Pomson (Rosov Consulting), and moderator Sharon Feiman-Nemser (Brandeis University).

Mandel Center online events are free and open to the public. Registration is required. Videos and podcasts of past events can be found at https://www.brandeis.edu/mandel/events/videos.html.

Contact Email  mandelcenter@brandeis.edu

 

New perspectives on displaced colonial archives  (online workshop)

https://networks.h-net.org/group/announcements/20030045/updated-new-perspectives-displaced-colonial-archives-11-12-september

Recent years have seen a proliferation of research about displaced colonial archives. Thanks to pioneering work by archive studies specialists, historians, and others, we have a deepening knowledge of the ways that declining empires sorted, destroyed, and removed archives during the twentieth century. This research has addressed profound concerns about how colonial – and decolonial – projects have shaped the world we live in. The interest in displaced colonial archives extends well beyond academia, and is being addressed as well in journalism, novels, and other media.

This online workshop, to be held on 11-12 September 2024, seeks to facilitate inclusive discussion of new perspectives on displaced colonial archives.

To contribute, please submit an abstract of up to 500 words plus a short CV (2 pages maximum) to displacedcolonialarchives@gmail.com by Friday 24th May 2024

 

Renegade Rhymes with Meredith Schweig

https://uwtaiwanstudies.ticketleap.com/renegade-rhymes-with-meredith-schweig/details

May 15, 3:30-5pm PDT

The UW Taiwan Studies Program will welcome associate professor of ethnomusicology at Emory University, Meredith Schweig, to discuss her book Renegade Rhymes: Rap Music, Narrative, and Knowledge in Taiwan, which invites readers into Taiwan’s vibrant underground hip-hop scene to explore the social, cultural, and political dynamics of life in a post-authoritarian democracy.

 

Decolonising Higher Education: A Virtual Book Launch

https://isarn.org/2024/04/09/decolonizing-higher-education-a-virtual-book-launch/

https://networks.h-net.org/group/announcements/20031314/decolonising-higher-education-virtual-book-launch

April 24th (9am PST/12pm EST/5pm GMT)

Please join the International Solidarity Action Research Network (ISARN) as we launch new books by three of the networks’ participants. All welcome to this Zoom event, but please register in advance for the link.

 

 

RESOURCES

2024 Disability Research Mentorship Program for Black Graduate Students

https://www.c-q-l.org/resources/articles/2024-disability-research-mentorship-program-for-black-graduate-students/

The Council on Quality and Leadership (CQL), an international not-for-profit, is seeking candidates for our Disability Research Mentorship Program for Black Graduate Students. CQL created the Mentorship Program in 2020 in recognition that academic/research job candidates are judged on their history of publications and presentations, yet, anti-Black racism impacts who gets research and other opportunities in grad school.

For this reason, CQL’s research Mentorship Program aims to provide Black students with opportunities to build up their CVs by co-writing and publishing a journal article about disabled people with CQL. During this Mentorship Program, students will work with CQL’s Director of Research, Carli Friedman, PhD, to learn about publication and navigating the peer-review process. Students will be given a stipend for their participation in this mentorship program.

Contact Email  cfriedman@thecouncil.org